January Thaw

Winter, an artist’s sketch in charcoal,
so clearly etched against a cloud filled sky . . .
~ from the song “Winter” 

After weeks of “real” winter, complete with snow, ice, and sleet, the rains came yesterday. Thick layers of snow and ice began to crumble and melt in the suddenly warm temperatures, assaulted by alternating pounding rainstorms and soft drizzles.  By evening, a fog had arisen between the melting snow and the warm air and swirled upwards throughout the night.  This morning, mist and fog lay heavily in the woods and along the streams, turning the winter landscape into a mysteriously beautiful January thaw.

I felt as if I were moving through a dream as I walked through the woods. The dark trunks of immense oaks stood like sentinels guarding a secret kingdom in the mist, fading to gray in the distance. Drops of water clung to delicate twigs and buds like sprays of crystals. Snow lingered in pockets, slowly seeping into the garden beds and revealing fresh green growth.

January thaw is an observed but unexplained temperature rise in mid-winter found in mid-latitude North America.” (Wikipedia) The thaw is generally centered around the date of January 25, when a rise of temperatures by 10 degrees Fahrenheit occurs for about a week. The Farmer’s Almanac notes its common designation as “false spring” and compares it to the phenomenon of Indian Summer, the predictable surge of warm weather in autumn. This year, certainly, the thaw is more than 10 degrees warmer than usual; yesterday’s temperature reached 50 F and today will be a balmy 64 F.

The sun is shining now, the mist a memory. I intend to celebrate the January thaw by working in the garden while dreaming of the arrival of “real spring.” Enjoy the morning walk in the woods with me. (Click on any photo to trigger the gallery view)

There are two seasonal diversions that can ease the bite of any winter.  One is the January thaw.  The other is the seed catalogues.
Hal Borland

Anatomy of a thunderstorm

I hear the thunder, long rumbles moving through the hills but no rain – perfect for recording. I dash inside to grab my Zoom recorder, ask my husband to turn down the guitar parts he is practicing in the basement, and put the dog in her “safe” space in the house.

For the first few minutes, I record the thunder – deep booms rather than sharp cracks – but the echoes roll on and on. It is quickly approaching, each boom louder than the last and I’m getting a great signal on the recorder. Suddenly I realize that sound in nature is complex with nothing isolated; although my goal is to record some great thunder sounds without the added sound of rain, I cannot capture it as I had planned – a murmur of cicadas fills the aural space, punctuated by bird song and a hum of distant traffic. I’ve been in the recording studio too long, where every instrument and sound source is isolated and remixed, each thread separated and reassembled. This is a different space altogether, with layers of sound rising and falling underneath the drama of a weather event, a gestalt of sound.

It’s not long before the rain comes – I grab the Zoom and head for the protection of the covered deck but decide to leave the record button on and capture the entire event. At first, the rain is a gentle swishing curtain of sound but it soon builds to a pounding roar slicing through the trees, hammering the roof. A hummingbird still trying to feed gives up and flits into the woods for cover. There is a complex rhythm to it all, an aural story of sounds intertwined in a bigger than life tableau. I wonder how long it has been since I’ve sat outside and really listened to an entire thunderstorm from beginning to end, resisting the urge to refill my coffee cup or check my e-mail. Years, probably. Yet, because I wanted to capture the entire event, I relax and listen and surrender to the moment. I become aware of the progression of the storm as if I were in a concert hall, the quiet passages, the crescendos, the bold dramatic punctuations, and the unexpected layers of birds and insects that remained a part of the aural tapestry.

Finally the rain trickles to a few drops, the cicada buzz rises to the fore again, a car passes by splashing through the puddles, and a crow caws in the distance. Cardinals and woodpeckers chime in and the hummingbird reappears. Water quietly drips from the trees, the woods around me take on a golden glow as the clouds drift away. A soft murmur of thunder leaves a trail of sound in the distance.

Here is an abbreviated version of the thunderstorm that I recorded (reduced from 20 minutes to less than 2 – kudos to Bill Purse, audio editor.)


To see what others are doing with environmental sound as art, visit Ear to the Earth.

All text, photos, and audio ©2011 Lynn Emberg Purse, All Rights Reserved