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About composerinthegarden

A composer by vocation, a gardener by avocation. My garden and my life as a composer are deeply intertwined - the yin and yang of my creative life. . .

Lining the Path

 All paths are the same, leading nowhere. Therefore, pick a path with heart! Carlos Castaneda

Dusk is falling, I am determined to renew the mulch of my garden paths but the length of day challenges me.  The design of this part of the garden depends on the paths – they define and shape everything. Without them I cannot expect to stroll the garden nor photograph it. So each spring, I renew the garden paths.

As I work quietly, I begin to consider how frequently “the path” serves as a metaphor for life, for making choices, for encountering difficulties, for taking the easy way out, for pursuing an adventure. According to American psychologist James Hillman “Sooner or later something seems to call us onto a particular path… this is what I must do, this is what I’ve got to have. This is who I am.”  Italian psychologist and criminologist Cesare Lombroso wrote “Good sense travels on the well-worn paths; genius, never. And that is why the crowd, not altogether without reason, is so ready to treat great men as lunatics.” Thoreau exhorts us to “Pursue some path, however narrow and crooked, in which you can walk with love and reverence” but Spanish poet Antonio Machada states “Travelers, there is no path, paths are made by walking.”  Personally, my favorite path saying is by Groucho Marx – “A black cat crossing your path signifies that the animal is going somewhere.”

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In the garden, a path is literal, practical, yet highly symbolic. Visually, it leads the eye and the foot, like a giant arrow pointing the way.  There may be unexpected twists and turns, creating places for plant treasures, ornaments, a bench. This particular part of my garden was designed to be seen from the decks above it, not unlike the Elizabethan knot gardens that were meant to be viewed from a high castle window. The garden beds are both defined and connected by the paths.

Before the dark drops so deeply into the garden that I must retreat, I look at the paths with a sense of satisfaction. Task finished for the year, the paths are clear and ready for use, and I walk them home.

One never reaches home, but wherever friendly paths intersect, the whole world looks like home for a time.  Hermann Hesse

All photos ©2012 Lynn Emberg Purse, All rights reserved

Waters of March (Águas de Março)

And the river bank talks of the waters of March
It’s the promise of life, it’s the joy in your heart – from “Waters of March” by Antonio Carlos Jobim

The Waters of March (Águas de Março ), written by Antonio Carlos Jobim,  reflects the end of summer, which is March in Brazil.  For those of us in the Northern Hemisphere, it suggests the beginning of spring, “the promise of life in your heart”.

March is here and is it full of the promise of life. As I bend again and again to weed and clear the detritus of winter and uncover the emerging blooms and greening leaves, I hear in my mind the lovely repetitive melody of this sensuous and philosophical song by Jobim, the composer and musician who made Brazilian music accessible to the rest of the planet.

The Waters of March was originally intended to list the passages and events of life that flow and ebb and culminate in the waters of March, a stormy and wet time at the end of summer in the southern hemisphere of Brazil.  In the northern hemisphere, March is also stormy and wet but also the beginning rather than the end of the growing season. As the rain and storms bring us green leaves, bird song, and early blooms, we can consider the beauty of the song and the reality of nature’s astonishing gifts of blossom and promise.  Here are a few images of new life in my garden this week, a stream of life in the waters of March.

“It’s the promise of life in your heart”

The original song sung by Brazilian singer Elis Regina and Jobim, with English subtitles, slow to load but worth watching.

A video of a recording session with Regina and Jobim in an Argentian production that is evidence of pure joy and utter musical communication.

Al Jarreau and Oleta Adams in a very lush and sexy version of Waters of March.

The written lyrics of Waters of March – Portugeuse and English

All images ©2012 Lynn Emberg Purse, All Rights Reserved

Kennywood’s Open!

Ah, words that have a magic ring!  Kennywood Park is our local historical (but very up to date) amusement park. School children in Western Pennsylvania love the phrase “Kennywood’s open!” – it signifies that it is spring, school is almost over, and a great day at the amusement park is in order! But there is a second less obvious meaning that every kid and former kid knows, a local colloquialism that means “your zipper’s open!”

I may be rushing the season a bit, as the park does’t open until May, but I wanted to feature a piece written by my husband and musical partner, BIll Purse. When he was commissioned to compose a symphonic band piece for the local North Hills High School, he chose Kennywood as his inspiration and the famous phrase as the title of the piece. Bill has a history of writing pieces inspired by favorite places; Kennywood’s Open featured six vignettes based on his favorite park rides. In the name of research, we made several trips to the park to record the sound of the rides as well as photograph and videotape footage for what eventually became a combination of music and actual sounds from the park and plenty of resources for multimedia presentations.

Since its premiere, Bill has rearranged it for orchestra for a performance by the Washington Symphony Orchestra on the very day that the park opened for the season. The concert hall featured an enormous screen and high resolution projector, so I was able to create moving graphics of the park rides while the orchestra performed the piece.

When creating his solo CD Sonic Art, Bill  adapted the “Merry Go Round” section as a jazz piece featuring Duquesne University’s Catch 22 and jazz trumpeter Sean Jones. This video features the CD recording of The Merry Go Round combined with the Kennywood footage and some stills of Sean taken by friend and photographer Doug Harper. The video features the Dentzel Carousel installed in the park in 1927 and the 1915 Wurlitzer Band Organ whose actual sound begins and ends the piece.

Enjoy the ride!

The Lenten Rose

Helleborus. Latin for hellebore, a perennial flowering plant from Europe and Asia. Most of the hybrid hellebores found in gardens in North America and Europe are often called the Lenten Rose, since they bloom in February and March, during the Lenten season.  Many years ago, a friend gave me two Lenten Roses from her parents’ garden in the mountains of Virginia. I brought them with me from my former garden and have let them seed about, resulting in flowers ranging from cream to pink to dark rose.  This year, they began blooming two weeks earlier than usual, a welcome sight in a dreary winter.  Today, more blooms have opened, including a few rarer ones purchased for their dark mysterious colors.

Deer resistant, first to bloom in spring, happy in shade or sun, dry or wet, and dressed in handsome leathery foliage, this is a plant for all gardens.  Enjoy the gallery of photos!

For more beautiful hellebore photos, including double forms and unusual colors, visit:
Pine Knot Farms
Northwest Garden Nursery
Sunshine Farm and Gardens
The Lenten Rose

To learn more about the beautiful hellebore, including its history and its variations, visit: hellebores.org
The Lovely Lenten Rose 

Think spring!  More music next week.

Breathe Out, Breathe In

“Breath” 1. the air inhaled and exhaled in respiration; 2. life; vitality 3. time to breathe; pause or respite Adapted from dictionary.reference.com

Spring break from school began today, and true to form, winter came roaring back just in time to celebrate the moment. No matter. The coming week will be filled with recording my compositions, especially the vocal tracks, as I finally prepare to release my solo album of compositions “House of Sound.” I hope to unveil the first completed song next week; for now, I am celebrating the completion of a four part song cycle – “The Four Elements.”

I have mentioned this work before when I blogged about my struggle with Fire and Light. This week marked the completion of the last piece “Breath.” This was another difficult piece to embrace, to find my way through. In The Four Elements, each of the elements – earth, air, water, fire – has been translated to a particular instance of that element. Earth became “Clay”, water became “Rain”, and fire became “Light”. Although I knew that I wanted air to become “Breath” I could not find the in, the twist, the kernel of meaning that would allow the song to realize itself.

After eight pages of researched notes, I was drowning in information but had found no inspiration. Finally, I stood back and asked myself Continue reading