“Breath” 1. the air inhaled and exhaled in respiration; 2. life; vitality 3. time to breathe; pause or respite Adapted from dictionary.reference.com
Spring break from school began today, and true to form, winter came roaring back just in time to celebrate the moment. No matter. The coming week will be filled with recording my compositions, especially the vocal tracks, as I finally prepare to release my solo album of compositions “House of Sound.” I hope to unveil the first completed song next week; for now, I am celebrating the completion of a four part song cycle – “The Four Elements.”
I have mentioned this work before when I blogged about my struggle with Fire and Light. This week marked the completion of the last piece “Breath.” This was another difficult piece to embrace, to find my way through. In The Four Elements, each of the elements – earth, air, water, fire – has been translated to a particular instance of that element. Earth became “Clay”, water became “Rain”, and fire became “Light”. Although I knew that I wanted air to become “Breath” I could not find the in, the twist, the kernel of meaning that would allow the song to realize itself.
After eight pages of researched notes, I was drowning in information but had found no inspiration. Finally, I stood back and asked myself Continue reading →
The speed of light is the same for all observers, no matter what their relative speeds. Einstein
Tonight the air is crisp and cold and the sky is bright with winter stars and a growing half moon. Cassiopeia and the Big Dipper float over the roof of the house and Orion the Hunter is rising in the southern sky.
The “more than half” moon is bright enough to cast shadows across the dark tangle of the garden and thread between the almost leafless trees. The four seasons seem an inadequate description for the ongoing flow of changes that I notice in the garden; it morphs from moment to moment each time I step outside. As I set up my camera for a long exposure, I think of a card that a friend sent describing the thirteen moons of the native American tribes. What is this moon tonight? Harvest is over and winter will arrive soon; perhaps this is a liminal moon, a threshold between the season that has ended and the one yet to arrive.
The lyrics and melody to “Light” (See blog post Fire and Light) run through my head and keep me out in the cold night gazing up at the sky. “Gathered on the waters, reflected by the moon, even once removed, its power streams into the night. Light . . .” The piece is being premiered in ten days and I am preparing the visual media that is part of the performance. Solar flares, clouds across the moon and the water, light sifting through trees and clouds – the images and the music are inextricably intertwined and indeed, this piece was born from nights spent just like this, in the quiet of the garden filled with light.
Here is a sneak preview of part of the piece, with a MIDI soundtrack sans sung lyrics. The lyrics to the clip shown above:
Light, Light, Light. . .
Gathered on the waters,
reflected by the moon.
Even once removed, its power
streams into the night,
Light, Light, Light . . .
I stood on a hill in Dunoon, Scotland, in the middle of March many years ago. Powerful winds brought a succession of rain, sleet, snow, hail, and sunshine over and over again in the course of an hour – a microcosm of the turbulent transition from one season to another. The change of seasons this week in Western Pennsylvania was less compressed – spread over days rather than minutes – but otherwise not so different. The week began with a warm evening on the deck, listening to what surely would be the final cicada and frog chorus of the season. Gusty winds brought cold temperatures and days of rain, followed by an enchantingly beautiful misty morning immediately followed by a snowy morning, all in less than a week.
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Though I’m reluctant to acknowledge the end of the gardening season and the coming of winter, I must admit that I love the turbulent changes that the seasons’ transitions bring. There is a certain security in knowing that one season will follow another, an overarching stability of structure. But the passage from one state to another is filled with chaos, unpredictability and extreme fluctuations. It is this push pull of change and stability that fascinates me, and it seems to be at the heart of my artistic endeavors as well. Achieving a balance between the familiar and the novel, the security of what has been done and the adventure of exploring new ideas, is an ongoing dynamic in my work, and perhaps in my life as well.
A video celebration of nature’s transitions in my garden, set to the music of “Falling” from “Three States of Being.”
. . . just as a violin string’s different vibrations produce different notes, energy strings’ unique vibration patterns correspond to different subatomic particles. If this picture is correct, all of physics can be summarized as the harmonies of tiny vibrating strings, chemistry as the melodies of interacting strings, and the universe as a symphony of all strings resonating distinctly.Michio Kaku, Professor of Theoretical Physics, on String Theory
Physics of sound. Physics of the universe. Both attempt to describe and define how the world moves and vibrates. Molecules of air bump into each other, creating patterns and waves of sound, very similar to the way that water moves. When I was asked to write a piece to celebrate the dedication of a new performance space and audio recording suite in our music school, it seemed appropriate to focus on how sound works and how musicians gather together to “play” with sound, whether on the stage or in the studio.
But this piece was also intended to commemorate the son of the benefactor, as well as the mother for whom the Music School was named. Tragically, the grandmother and grandson had both died relatively young and had never met. The school and this new space was the connection between them, a musical connection across time and space. It struck me that the physics of sound could be extended into the quantum and string physics theories that I had been reading and studying for a number of years. There was a congruency of language used to describe our universe in motion, elegant and apt. So, through the lens of a musician who works daily with the physics of sound and also pursues a layperson’s understanding of quantum physics, I wrote “Still Point.” Written for choir, two synthesizer keyboards, and an electronic wind instrument, the piece was premiered a year ago this week.
Live performance recorded at the dedication of the Dr. Thomas D. Pappert Center for Performance and Innovation, Mary Pappert School of Music, Duquesne University. Sung by the Voices of Spirit under the direction of Christine Jordanoff, EWI solo by Mike Tomaro.
Still point, still point
Like a pebble in a pond, a word was sung
and hung in silence until the world began.
Still point, still point
First sound from whose center came the waves.
The ripples of vibration that set the world in motion, in motion
A universe of motion, a coherent dance of sound
Form and pattern rising from a sea of possibility
Each sound becomes a pebble dropped, each note becomes a wave
Each resonance of harmony intensifies a place
where ripples and waves intersect, time and space fold, connect
through generations never met into a
still point, still point
Music, sound, harmony
Resonant frequencies
Gathering communities, communities who play with sound,
who ride its waves, explore the pool creation’s made
Perhaps in hope to hear an echo of that still point
From which a word was sung and hung in silence until the world began.
Still point.
Only light – not things – strikes the retina. Derek Doeffinger, “The Art of Seeing”
Sometimes an idea is just too big to handle. I’ve been struggling for a few weeks with the last piece in “The Four Elements” – a musical exploration of earth, air, water, and fire. The first three pieces are written and came fairly easily, two have been performed, but I struggled with the final “element” – fire. Water, air and earth – these are the stuff of making gardens and seem like old friends. But fire? I felt stuck and overwhelmed until I realized that the pieces already written are about specific manifestations of the elements – earth as “Clay,” water as “Rain,” air as “Breath.” Eureka! Fire as “Light” – the essential element for growth and life. It made me reflect that I made the classic mistake of creative folk – I picked a subject too big, too broad. A point worth remembering for my self, for my students. Pick a particular manifestation of a concept that seems unapproachable and focus on your experience of it. Discover the power and meaning it holds for you personally – there is less chance of being trapped by pre-conceived notions and more chance of translating your particular experience into something universal that resonates with others.
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When I made the connection between the big idea and the microcosm of my own life, I had something to explore and everything changed. Fire – too big for me to handle, even after exploring videos of of everything from molten lava flows to forest fires. The sudden realization of “fire equals light” gave me the personal, the particular. As a photographer and a gardener, light is everything, defines everything. While it may still seem a big idea, it is very specific for me: the light sifting between trees, light breaking through clouds, that peculiar moment of diffused light at the end of the day when the garden takes on an otherworldly glow. The light I try to capture with my camera, the reflected light of the moon that keeps me awake at night, the odd non-directional light in my dreams when I do fall asleep.
Now, ironically, I am “on fire” with the idea of light. Lyrics and sound flood my imagination, photos and video present themselves for the performance media. The gate is open; I can’t wait to begin.