Nature’s Sarabande

Sarabande – A Baroque dance that is said to have come from the Saracens. It is in triple meter, and characteristically the second note of the measure is lengthened, giving the dance a stately, majestic flavor. ~ Artopium

 

Rudbeckia trilobaThe slow stately dance of summer moving into autumn has begun. Days are growing shorter and nights are growing cooler. Where ten new flowers opened in giddy excess each day in June and July, perhaps one begins flowering every few days in August and September. Change is slow but inexorable, a measured graceful prelude to the fiery finale of autumn’s peak. The soft pinks and lavenders of tall phlox keep the butterflies hovering in their midst; the shocking gold and black of Rudbeckias sing in a harmony of color to the fuzzy bees that crowd around them for late season sustenance. Cooler evenings have triggered rose bloom in every color from magenta to pink to apricot – blue Ageratum and Salvias play a cool counterpoint to the warm tones of rose buds and blossoms as they shift in the slanted sun rays to gather the light. Huge trusses of cream colored hydrangeas hang over the garden paths, richly scented and alive with the bumbling movement of pollinators drunk on their sweet largesse. Even as some plants begin to crumble and fall toward dormancy, others rise up with fresh foliage and flowers for a brief coda of glory before the end of the season.

The August GardenUnderneath the visual feast lies the ostinato drone of cicadas and the antiphonal call of tree frogs at night. A few days ago, after a long day in the hot and noisy city, I returned home and stepped outside into the garden – I suddenly felt as if I were Alice stepping through the looking glass. Heat that was oppressive in the city was merely a warm envelope of air in the garden and the early evening chorus of insects and frogs created a symphonic hall of pulsing sound that replaced the chaotic screech and scratch of traffic and construction. I stood entranced for a moment, watching the bats fly overhead in search of mosquitoes. I looked down to see the twinkle of fireflies rising from the garden floor, in search of a mate to commence the pas de deux of partnership. I had not just stepped into a garden, I had stepped into a magical world, a space where I was privileged to see and hear and smell the intoxication of nature in late summer, performing her multi-dimensional dance of life. Humbled and at peace, I began a slow sarabande through the garden.

But I’m not dancing alone . . . I’m dancing with the forest, dancing with the moon. Kenge, The Forest People (Turnbull)

Listen to Handel’s famous sarabande (trigger the video below) as you view a few garden photos from the August garden. Click on any image to start the show and join me in the “stately, majestic” dance. (All photos ©2014 Lynn Emberg Purse, All Rights Reserved)

And those who were seen dancing were thought to be insane by those who could not hear the music. ~ Friedrich Wilhelm Nietzsche

“Everything in the universe has rhythm. Everything dances.” ~Maya Angelou

For a unique perspective on solo dance and the current phenomenon of recording and sharing one’s dance experience, visit Richard Coyne’s post on Mood and Movement (and dance).

 

Penn’s Woods: Autumn Equinox

If you look deep enough you will see music; the heart of nature being everywhere music. ~Thomas Carlyle

A few days ago, I made a presentation at a national music conference on my “A Year in Penn’s Woods” project. Having to encapsulate my work in 25 minutes pushed me to review what I’ve done so far, create a succinct presentation of my project, and produce a short video demonstrating some of my musical and visual ideas.

Wetland habitat, western Pennsylvania

Wetland habitat, western Pennsylvania

Pressure can be useful for inner clarification; working on the presentation led me to review the hours of audio and video recorded so far, assess the quality of the work, and decide on technical and artistic refinements to the process. I originally expected this project to be completed in a year’s time, but have found that to be unrealistic. I’ve added another year to the timeline, but what I now realize is that I love doing this work and in actuality, I may be pursuing this project for many years to come. There is great joy in being in nature, listening to the sounds, seeing the beauty, and feeling deeply connected to the world around me. I’ve coined the music I am attempting to compose as “eco fusion” – the integration of the soundscape of the natural world with composed music.

Here is my first experiment in combining the sound of birds, insects, frogs, and other denizens of the western Pennsylvania habitats with visuals filmed during this year’s autumn equinox. The soundtrack music is designed to support and enhance nature’s orchestra without overwhelming it. While the musical pieces in “The Year in Penn’s Woods” project will vary from orchestral to small ensembles to electronic soundtracks, ultimately my goal is to be an interpreter of what I see and hear in nature, rather than to merely illustrate it. As I emphasized in my conference presentation, I want to join this band! I want to write for this orchestra! This is a first step. Enjoy! (Click on the video to play, or click on the Vimeo link to watch in full HD)  If you have a problem viewing the Vimeo version, here is a link to a smaller mobile device friendly version on YouTube.

All text, music and video ©2013 Lynn Emberg Purse, All Rights Reserved

Read more about the genesis of this project in Wild Sounds.

No spring, nor summer beauty hath such grace,
As I have seen in one autumnal face. ~John Donne

A special thanks to Joan for pointing out that it is the autumn equinox rather than the autumn solstice.