Some say the world will end in fire, some say in ice. ~Robert Frost
The wind howling outside my window woke me up early this morning. WInter is on its way to Western Pennsylvania, after sweeping through the Midwest and laying a trail of snow across the country. It is still warm and wet here this morning but that is predicted to change in a few hours, a change carried by the wind that is now shaking the bare treetops in a wild dance. I am of two minds about winter. When there is snow and ice, it is breathtakingly beautiful but also dangerous. When there is no snow and ice, it is brown and gray but less harsh as well. Perhaps I enjoy both and the constant shift between. As I contemplate another winter solstice, one surrounded by a great deal of speculation, fear, and hope, I offer a song that I featured last year at this time. Enjoy the return of longer days.
You can’t get too much winter in the winter. ~Robert Frost
Hope is the thing with feathers
That perches in the soul
And sings the tune without the words
And never stops at all ~ Emily Dickinson
The silence this morning was deafening. The dark days are upon us in the northern hemisphere – each bright day shrinking, each dark night expanding, until the solstice shifts the tide in a few weeks. A full moon and its subsequent reduced appearances have awakened me each morning long before daylight. I admit to a modest glass of chardonnay sipped yesterday morning at 5:30 A.M. – the moon was so bright that I couldn’t sleep, it seemed more like night than morning, and so I paid homage to its lingering light. Balanced on the edge of night and morning on an unseasonably warm night, the moon and stars ruled the pre-dawn sky.
This morning, however, the moon had already set and I stood in the dark before dawn, with no dawn “chorus.” A moist and silent cloud of dampness filled the air – no birds, no insects, no creature noises filled the void, only a distant hum of traffic. Who is up and about at 5:30 A.M.? And so a damp cloak of emptiness became a shroud of sorts. I can do without sunlight but can I live in a silent world? Isn’t that the real nightmare of the imagined apocalypse? Not the visual destruction but the absence of sound?
Now, at noon, a dozen birds have added their voices to the world. Bluejays, cardinals, sparrows, woodpeckers, and hawks all spin their songs around me as Angel and I venture into the woods. It is a comfort, to know that stillness and silence may dwell within but the murmur of the natural world goes on, each voice in its perfect place in nature’s orchestra. I sigh and something inside, a tight kernel of fear and tension, relaxes and dissolves. I take a deep breath and enjoy the quiet murmur of nature’s world around me, every sound, every voice, every song present and accounted for. All is well, and if it is quiet, that is the way of things in nature in this season.
Subtle and dark, lovely and stark, in gentle tones of gray and brown and white, for a night and a day, then all turns gray . . . from the song “Winter” by Lynn Emberg Purse
In the study of the physics of sound, I have always found it interesting that humans don’t perceive many different subtleties of volume but an almost infinitesimal perception of the subtleties in pitch (frequency) and tone color (timbre.)
And so it is in the garden. It is that “in between” season, after the loud fireworks of autumn and before the stark black and white of winter. The garden is quiet these days, with mostly the wind and the occasional bird call for a soundtrack as I wander through. But with the closest attention, there is subtle beauty that will linger until the snows come.
Charlotte the spider told Wilbur “I’m versatile.” Wilbur asked “Does “versatile” mean “full of eggs”?” Charlotte replied “No, it means I can change with ease from one thing to another.” Adapted from Charlotte’s Web by E. B. White
Once again, I have been honored with another blogging award, The Versatile Blogger, from poet AZ/catcherofstars of Verse Not Prose and photographer Kerry of Lightscapes Nature Photography. I accept it with humility and grace, knowing that it is coming from two WONDERFUL bloggers and I apologize for the delayed response. Kerry particularly had insightful thoughts on the practice of giving and receiving blogging awards, and I refer you back to his post with “Ditto, what he said!” With the award comes some obligations: post the image of the award; acknowledge the one(s) who nominated you; share 7 facts about yourself; and nominate others in turn and inform them of their nomination. The numbers vary on this last one, so I take the path of moderation in all things.
However, I will preface this post by the admission that I am of two minds about the award, but not from the obligations incurred. No, for me it is all about the perception of being versatile in the world of creative arts.
Tools are often sold on the basis of their versatility, whether it is a Continue reading →
Winter, an artist’s sketch in charcoal, so clearly etched against a cloud filled sky. . .
In celebration of the moment when the earth turns on its axis back to the light of the sun. This year, in the northern hemisphere, the winter solstice occurs on December 22. Time and Date offers a clear explanation of the solstice as well as explores the customs and traditions around it. To see a beautiful collection of “brown and gray and sometimes white” nature photography, explore Robin’s post on frosted Queen Ann’s Lace in Life in the Bogs.
“Winter” was one of those songs written in a moment, in a winter where snow alternated with grey skies and brown earth. This recording is a “first take” for both the piano and vocal. The visuals are all from my garden. Enjoy!
All music making is collaborative in nature. A special thanks to Barbara Nissman for contributing her master’s touch on the piano to this song and Mike Tomaro for his haunting soprano sax improvisations. And as always, to my gifted husband Bill Purse, who generously shares his skills as audio engineer and producer in my artistic endeavors.
Winter, snow falling down Winter, the world is gray and brown, gray and brown and sometimes white for a night and a day, then all is gray
Autumn in leaves of gold Springtime, a thousand shades of green unfold to summer with its joyous Joseph’s Coat of colors, endless colors, endless colors . . .
Winter, an artist’s sketch in charcoal so clearly etched against a cloud filled sky Subtle and dark, lovely and stark in gentle tones of gray and brown and sometimes white for a night and a day, then all turns gray Winter today